выразительные средства и стилистические приемы
-
#
sasha9найти в отрывке выразительные средства и стилистические приемы.(метонимия,зевгма,каламбур,ирония,эпитет,сравнение,аллюзия,олицетворение,оксюморон,гипербола,литота,метафора,повторение и т.д.)
Like had been replaced by love. And love was the plummet dropped down into the deeps of him where like had never gone. And responsive out of his deeps had come the new thing - love. That which was given unto him did he return. This was a god indeed, a love-god, a warm and radiant god, in whose light White Fang's nature expanded as a flower expands under the sun.But White Fang was not demonstrative. He was too old, too firmly moulded, to become adept at expressing himself in new ways. He was too self-possessed, too strongly poised in his own isolation. Too long had he cultivated reticence, aloofness, and moroseness. He had never barked in his life, and he could not now learn to bark a welcome when his god approached. He was never in the way, never extravagant nor foolish in the expression of his love. He never ran to meet his god. He waited at a distance; but he always waited, was always there. His love partook of the nature of worship, dumb, inarticulate, a silent adoration. Only by the steady regard of his eyes did he express his love, and by the unceasing following with his eyes of his god's every movement. Also, at times, when his god looked at him and spoke to him, he betrayed an awkward self-consciousness, caused by the struggle of his love to express itself and his physical inability to express it.